（译）兽设(3)
起初，大型的兽聚是在科幻小说展览或多类型推理小说的展览上出现的，这些场馆通常充当角色扮演者、兽装者和画师与写手等的会面地，而后两者经常在有趣动物艺术的场景的APA中磨练他们的技能。因此，当角色扮演者与兽装师在面向“有趣动物艺术”的艺术展上出现时，画师与写手很快就接到了角色扮演者和兽装者们的委托订单，通常为他们所扮演的角色。
As the customers were often not writers or artists but had envisioned these characters as being more than just under their ownership, detailed specifics for such characters (see "Elements") were often provided by the customers so as to give as much narrative-independent life to such characters as possible.
此时，兽装者常常不是写手或画手，但是曾设想使这些角色超越他们的“控制”，因此这些角色的特定细节往往是由顾客提供的，以尽可能向这些角色给予一种超越叙述的生命。
As a result, when the first furry parties were held, the first costumers and RPers of what would become the furry fandom had already developed the awareness of their favorite RP or costume characters' artistically-rendered exteriors, what they acted like, and in what they were interested or disinterested.
因此，当第一个兽聚举办之时，兽圈之中的第一批兽装师和角色扮演者们，早已形成了一种对他们最喜欢角色或兽装角色进行艺术渲染的意识；他们行动上效仿这些角色，并且也会对其有好恶之情。
Such characters often did not need to be written into written narratives, but were instead buoyed by being a general-purpose alter-ego for the RPer or costumer. This difference from the traditional idea of the character as being driven by stories of fiction allowed for the "favorite character" or "custom-made character" to be shifted to the "alter-ego", "alternative persona" or "fursona
As the customers were often not writers or artists but had envisioned these characters as being more than just under their ownership, detailed specifics for such characters (see "Elements") were often provided by the customers so as to give as much narrative-independent life to such characters as possible.
此时，兽装者常常不是写手或画手，但是曾设想使这些角色超越他们的“控制”，因此这些角色的特定细节往往是由顾客提供的，以尽可能向这些角色给予一种超越叙述的生命。
As a result, when the first furry parties were held, the first costumers and RPers of what would become the furry fandom had already developed the awareness of their favorite RP or costume characters' artistically-rendered exteriors, what they acted like, and in what they were interested or disinterested.
因此，当第一个兽聚举办之时，兽圈之中的第一批兽装师和角色扮演者们，早已形成了一种对他们最喜欢角色或兽装角色进行艺术渲染的意识；他们行动上效仿这些角色，并且也会对其有好恶之情。
Such characters often did not need to be written into written narratives, but were instead buoyed by being a general-purpose alter-ego for the RPer or costumer. This difference from the traditional idea of the character as being driven by stories of fiction allowed for the "favorite character" or "custom-made character" to be shifted to the "alter-ego", "alternative persona" or "fursona
顶级翻译官Alpha和她的精英女王
